Theatrical practice inspired by butoh dance to track "geological", physical and sensitive movements of actors and dancers.<br />
As dramatic support we will take "Decomposed Theatre" of Matei Visniec. The rumanian author questions us about the problem of identity, the modern wandering and our dehumanization. He creates a gallery of strange characters, isolated from the world surrounding them, locked into their own body carcasses. <br />
We will explore the surrealist world of Visniec around the concept of territory : external landscapes, interior circles, body barriers. Work will be arranged in 3 periods: body training; theatrical research through the play inspired by butoh dance ; improvisational/ performance work.